{"id":3130,"date":"2021-08-09T15:19:54","date_gmt":"2021-08-09T15:19:54","guid":{"rendered":"https:\/\/olivierpalatre.com\/splendor-of-the-han\/"},"modified":"2021-08-31T11:34:44","modified_gmt":"2021-08-31T11:34:44","slug":"splendor-of-the-han","status":"publish","type":"post","link":"https:\/\/olivierpalatre.com\/en\/splendor-of-the-han\/","title":{"rendered":"Splendor of the Han"},"content":{"rendered":"<p>[et_pb_section fb_built=&#8221;1&#8243; admin_label=&#8221;Section&#8221; _builder_version=&#8221;4.9.4&#8243; _module_preset=&#8221;default&#8221; background_color=&#8221;#FFFFFF&#8221; custom_padding=&#8221;||0px||false|false&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_row use_custom_gutter=&#8221;on&#8221; gutter_width=&#8221;2&#8243; custom_padding_last_edited=&#8221;on|phone&#8221; _builder_version=&#8221;4.9.4&#8243; _module_preset=&#8221;default&#8221; width=&#8221;100%&#8221; max_width=&#8221;95%&#8221; custom_padding=&#8221;7vh||0px||false|false&#8221; custom_padding_tablet=&#8221;9vh||||false|false&#8221; custom_padding_phone=&#8221;10vh||||false|false&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_column type=&#8221;4_4&#8243; _builder_version=&#8221;4.9.4&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_text _builder_version=&#8221;4.9.7&#8243; _module_preset=&#8221;default&#8221; header_font_size=&#8221;45px&#8221; header_2_font_size=&#8221;45px&#8221; custom_margin=&#8221;||0px||false|false&#8221; custom_padding=&#8221;||||false|false&#8221; header_font_size_tablet=&#8221;35px&#8221; header_font_size_phone=&#8221;30px&#8221; header_font_size_last_edited=&#8221;on|phone&#8221; global_colors_info=&#8221;{}&#8221;]<\/p>\n<h1>SP<span style=\"color: #585f9e ;\">LEND<\/span>OR O<span style=\"color: #585f9e ;\">F T<\/span>HE <span style=\"color: #585f9e ;\">HA<\/span>N<\/h1>\n<p>[\/et_pb_text][et_pb_divider color=&#8221;#585f9e&#8221; divider_weight=&#8221;2px&#8221; _builder_version=&#8221;4.9.7&#8243; _module_preset=&#8221;default&#8221; width=&#8221;31%&#8221; custom_margin=&#8221;||0px||false|false&#8221; custom_padding=&#8221;||0%||false|false&#8221; global_colors_info=&#8221;{}&#8221;][\/et_pb_divider][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=&#8221;1&#8243; _builder_version=&#8221;4.9.7&#8243; _module_preset=&#8221;default&#8221; background_enable_color=&#8221;off&#8221; background_image=&#8221;https:\/\/olivierpalatre.com\/wp-content\/uploads\/2021\/06\/1920_Splenduer_Han.jpg&#8221; parallax=&#8221;on&#8221; parallax_method=&#8221;off&#8221; height=&#8221;100vh&#8221; custom_padding=&#8221;0px||0px||false|false&#8221; divi_se_set=&#8221;none&#8221; global_colors_info=&#8221;{}&#8221;][\/et_pb_section][et_pb_section fb_built=&#8221;1&#8243; _builder_version=&#8221;4.9.4&#8243; _module_preset=&#8221;default&#8221; custom_padding=&#8221;0px||0px||false|false&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_row column_structure=&#8221;1_3,2_3&#8243; use_custom_gutter=&#8221;on&#8221; gutter_width=&#8221;2&#8243; _builder_version=&#8221;4.9.4&#8243; _module_preset=&#8221;default&#8221; width=&#8221;100%&#8221; max_width=&#8221;95%&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_column type=&#8221;1_3&#8243; _builder_version=&#8221;4.9.4&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_text _builder_version=&#8221;4.9.7&#8243; _module_preset=&#8221;default&#8221; header_font_size=&#8221;45px&#8221; header_2_font_size=&#8221;45px&#8221; custom_margin=&#8221;||0px||false|false&#8221; custom_padding=&#8221;||||false|false&#8221; header_2_font_size_tablet=&#8221;35px&#8221; header_2_font_size_phone=&#8221;30px&#8221; header_2_font_size_last_edited=&#8221;on|phone&#8221; global_colors_info=&#8221;{}&#8221;]<\/p>\n<h2>SP<span style=\"color: #585f9e ;\">LEND<\/span>OR O<span style=\"color: #585f9e ;\">F T<\/span>HE <span style=\"color: #585f9e ;\">HA<\/span>N<\/h2>\n<p>[\/et_pb_text][et_pb_divider color=&#8221;#585f9e&#8221; divider_weight=&#8221;2px&#8221; _builder_version=&#8221;4.9.7&#8243; _module_preset=&#8221;default&#8221; custom_margin=&#8221;||0px||false|false&#8221; custom_padding=&#8221;||1%||false|false&#8221; global_colors_info=&#8221;{}&#8221;][\/et_pb_divider][et_pb_text module_class=&#8221;bbg&#8221; _builder_version=&#8221;4.10.4&#8243; _module_preset=&#8221;default&#8221; text_font_size=&#8221;22px&#8221; text_line_height=&#8221;1.4em&#8221; custom_margin=&#8221;||5%||false|false&#8221; custom_padding=&#8221;|||1%|false|false&#8221; hover_enabled=&#8221;0&#8243; global_colors_info=&#8221;{}&#8221; sticky_enabled=&#8221;0&#8243;]ambiance adapted to the place<br \/>\ncolorimetry<br \/>\nfree wandering around the objects<br \/>\nimmerse the visitor in the Han culture[\/et_pb_text][et_pb_text _builder_version=&#8221;4.9.4&#8243; _module_preset=&#8221;default&#8221; text_orientation=&#8221;justified&#8221; global_colors_info=&#8221;{}&#8221;]<\/p>\n<p>The exhibition takes place in three galleries and is divided into three parts.<\/p>\n<p>The first room deals with the figure of the sovereign. The objects presented are mostly funerary statuettes. The scenographic device is inspired by the way statuettes were stored in Han burial chambers and by the layout of prints of the period. The works are presented on blocks around which the visitor is free to wander.<\/p>\n<p>The second part deals with the Han&#8217;s relationship to their territory. The layout is oriented to highlight a centerpiece of the exhibition in the center of the room.<br \/>The third and final section immerses the viewer in the realities of daily life under the Han. Themes such as writing, architecture and music are grouped on large tables in the center of the room that allow for a comprehensive impression of Han culture.<\/p>\n<p>[\/et_pb_text][et_pb_text _builder_version=&#8221;4.10.4&#8243; _module_preset=&#8221;default&#8221; text_text_color=&#8221;#585f9e&#8221; header_3_font=&#8221;|600|||||||&#8221; header_3_text_color=&#8221;#585f9e&#8221; header_3_font_size=&#8221;18px&#8221; hover_enabled=&#8221;0&#8243; global_colors_info=&#8221;{}&#8221; sticky_enabled=&#8221;0&#8243;]<\/p>\n<h3>Contracting owner : Mus\u00e9e national des arts asiatiques Guimet<\/h3>\n<p>Date : October 2014 \u2013 March 2015<br \/>\nProject management : Olivier Palatre Architectes<br \/>\nProgram : Scenography<br \/>\nSurface : 700 m\u00b2<br \/>\nBudget : 115 200 \u20ac [\/et_pb_text][\/et_pb_column][et_pb_column type=&#8221;2_3&#8243; _builder_version=&#8221;4.9.4&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;][dipl_masonry_gallery image_ids=&#8221;2001,2003,2005,2007,2009,1999&#8243; number_of_columns=&#8221;2&#8243; image_size=&#8221;full&#8221; enable_lightbox=&#8221;on&#8221; number_of_columns_tablet=&#8221;&#8221; number_of_columns_phone=&#8221;1&#8243; number_of_columns_last_edited=&#8221;on|phone&#8221; _builder_version=&#8221;4.10.4&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;][\/dipl_masonry_gallery][\/et_pb_column][\/et_pb_row][\/et_pb_section]<\/p>\n","protected":false},"excerpt":{"rendered":"<p>SPLENDOR OF THE HANSPLENDOR OF THE HANambiance adapted to the place colorimetry free wandering around the objects immerse the visitor in the Han cultureThe exhibition takes place in three galleries and is divided into three parts. The first room deals with the figure of the sovereign. The objects presented are mostly funerary statuettes. The scenographic [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":2000,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"on","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[38],"tags":[],"class_list":["post-3130","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-scenography"],"yoast_head":"<title>Splendor of the Han - Olivier Palatre Architecte<\/title>\n<meta name=\"description\" content=\"Scenography of the exhibition Splendor of the Han at the &quot;mus\u00e9e national des arts asiatiques Guimet&quot;. 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